#Fnaf 1 supply closet full#

#Fnaf 1 supply closet full#

However, this may be because the backstage area is full of spare parts, and, as such, a bare endoskeleton is not out of place there. Though Phone Guy claims the animatronics would put costumes on bare endoskeletons because it's supposedly 'against the rules' to be without a suit, Bonnie doesn't acknowledge the endoskeleton backstage and obviously chooses to focus on the player, contradicting the former security guard's statements. Interestingly, when Bonnie is in the backstage, he seems to take no heed to the metal endoskeleton sitting on the table, which clearly lacks a suit.On nights 1 through 3, Bonnie is more active than the other animatronics, him generally being the first to leave the show stage.Bonnie is usually the first animatronic to move and approach the player's doors.Freddy also happens to emit this noise, but only after the power has been fully drained. Chica also makes this noise while moving. The noise Bonnie makes when moving from one room to another. Each animatronic (excluding Golden Freddy) makes a noise identical to this in the same circumstance. The sound Bonnie makes when attacking the player. Interestingly, Chica makes the same sounds. The groaning sounds made by Bonnie when he sneaks into The Office. Switching to any other room before doing so will cause the scene to not switch. On any night, when Bonnie is in the Backstage Area, the player can cause the game to change to the close-up of his face by simply going in and out of the Monitor. Bonnie and Chica are capable of forcing the player to lower the monitor in order to attack, meaning the player cannot necessarily survive by continuing to view the monitor until 6 AM as previously thought.

The same noises can also be heard in this situation if Chica is waiting to attack. Once the player lowers the camera, Bonnie will attack them and end the game. When Bonnie enters the Office while the player is viewing the cameras, quiet, raspy, groan-like noises are heard. His eyes are completely black, save for white, pinprick-sized pupils.

On any night, he may be seen standing a few inches away from the Backstage camera (CAM 5), staring directly into it. The Robotvoice sound byte can be heard while he is twitching, even if the player is not looking at him directly on the Monitor. On the 4th and 5th nights, while standing at the camera outside The Office (CAM 2B), Bonnie's head and jaw twitch violently in a very paranormal manner. This is one of the best methods for surviving after The 2nd Night, though Foxy may easily kill the player if not viewed enough, which, in this case, at all. On some nights, if the player does not look at Bonnie on the monitors, he will not move from the Show Stage. Bonnie is also capable of jamming the cameras temporarily as he moves to another area, as does Chica. The frequency with which Bonnie approaches The Office appears to be due to teleportation, which is noticeable with Cheat Mode enabled. He will stare through the doorway into The Office, unlike Chica, who looks through the window. When looking into The Office, he appears leaning into the left doorway from the blind spot directly behind the left door.Д«onnie in the hallway as seen from the door.Д«onnie is known for returning to The Office more frequently than the other animatronics, and, like Foxy, he only approaches from the left side. This means he can appear in the Dining Area, Backstage, the West Hall, the Supply Closet, and the West Hall Corner. Upon, he will move to any room on the left side of the restaurant, excluding Pirate Cove. This version of Bonnie, like most of the animatronics in the first game, seems to have no teeth on his upper jaw.Д«onnie's starting location is the Show Stage, along with his bandmates, Freddy and Chica. Onstage, he carries an red-orange guitar.Д®xcluding his head, the majority of Bonnie's body appears identical to Freddy's, apart from the latter's color. He has articulated ears that can bend forward and wears a red bow tie. Bonnie is a lavender rabbit animatronic, with maroon eyes.